Palaver's Stephen King blog

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Different Seasons (1982)

“Are there many more rooms upstairs?”

Novellas. What are those? Well, according to the afterword they’re stories of 25000 to 35000 words. These do not snugly fit into any category, and are difficult to publish, being neither short stories nor novels. So they collected four works into one volume, that shows a side of King that not everybody is aware of. Although there are elements of horror these are more “normal” stories, staying pretty much in the world of established fact. What makes them King are, of course, the sheer quality of the stories, their ability to grab the reader’s attention and keep it till the final sentence. Some very good films have come from these tales.

One of my favourite places in King’s world, the club at 249B EastThirty-fifth Street, is introduced here. Here, stories will always be told, and it is the tale that matters, “not he who tells it”.

Creepshow (1982)

“I want my cake.”

A loving tribute to E. C. Comics in the form of a comic book. Stephen King stories illustrated by Berni Wrightsson, where everyone gets their just or unjust deserts with a little help from the supernatural, from the north pole or from space.

Roadwork (1981)

“…if the world was only a demo-derby, wouldn’t one be justified in stepping out of his car?”

The most low-key of the Bachman books, a psychological drama about a man whose life suddenly falls apart, through the death of his only child and a highway construction that necessitates the destruction of his home. Bart Dawes responds by going quietly insane, in both dark and amusing ways. Well worth reading, but if you expect horror, or even action, you’ll put down the book disappointed.

Danse Macabre (1981)

“After all, there are beasts everywhere.”

A wonderful book that takes a wise, loving look at horror and its neighbouring genres, mostly from the 50’s to the 80’s. King sits down and has a fascinating conversation with the reader, adding interesting facts about himself and his life along with his insight in horror fiction and film. Often very funny, often very enlightening. And, best of all, he makes you want to read and watch the books and films he’s talking about – the good as well as the bad ones.

Cujo (1981)

“Free will was not a factor.”

Horror in the ‘real world’, whatever that may be. Here the monster is a rabid dog, a kind dog that didn’t want to harm anyone but made the mistake of chasing a rabbit into a bat cave. Naturalistic, pessimistic and not entertaining in the ordinary sense of the word, it’s a good example of one of the things that make King great; he doesn’t write what the reader wants him to, but what the story demands.

Firestarter (1980)

“It was a pleasure to burn” (Ray Bradbury, Fahrenheit 451)

Oh, another story about a young girl with awesome powers, some might smirk. Yes, but aside from the simplest of summaries, Firestarter is vastly different from Carrie. More mobile, more complex and more of a normal thriller. One of his most mainstream books, you might say. Whereas Carrie is perhaps distancing itself from the reader somewhat in its experimental form, Firestarter takes you along on an adventure, an involving story, vividly told, with a moral dilemma as a bonus. King the storyteller.

The Long Walk (1979)

“Lots of steps. Long way to go.”

Two of the Bachman books describe competitions where the loser risks to lose his life. The Long Walk is very powerful work, telling the story of a hundred young men setting out on a marathon “promenade” – a competition held yearly by the government – which only one of them will finish. As in Rage, the interest lies not only in the dark and violent situation but in what people talk about along the way.

The Dead Zone (1979)

“What a talent God has given you, Johnny.”

As with Firestarter, some might dismiss it as “another King story about ordinary people, blessed or cursed with unusual powers”. As before, this is an entirely different story, with some recurrent motifs. Another of his pet subjects, religious mania that serves as an instrument of truth, is also present here, if discreetly. One of King’s own favorites, from what I’ve read. The town of Castle Rock is introduced here.

The Stand (1978)

“It was a face guaranteed to make barrooms arguments over batting averages turn bloody.”

This face belongs to Randall Flagg, one of King’s most famous incarnations of evil and corruption. He makes his first appearance in The Stand. This 1200 page novel is the favourite of many fans, and although I would personally rank at least IT and Misery higher, it sure is powerful. A true epic, turning america into a post-apocalyptic battleground for a very biblical Good and Evil. Both mystical, almost Tolkienish, and ruggedly realistic, it is still unique in the way it blends different levels of reality so seamlessly (lousy metaphor, please suggest a better one).

NOTE: The first edition was a measly 800 pages, but it was restored to its intended length in 1990.

Night Shift (1978)

“I came to you because I want to tell my story” (The Boogeyman)

The first collection of King short stories, previously published in magazines of very varied style and quality. Here are some genuine classics, such as Quitters Inc, Children of the Corn, The Boogeyman and Strawberry Spring. And let’s not forget one of his most beautiful stories, The Last Rung on the Ladder, which is very far from horror. Several of the stories here have been turned into bad films.

The forewords by King and John D. MacDonald are both wonderful.

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