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Category: King collections

Just after sunset (2008)

It took me an inexplicably long time to finish this collection of short stories, but looking back I realise that most of them left an impression.

Like The Gingerbread Girl, a short, effective thriller about grief and a serial killer. Or Harvey’s Dream, both mundane and shiver-inducing. Graduation afternoon is a short, brilliant gem about how everything can change in an instant. The Things They Left Behind is a strange but pretty moving take on 9/11.

There are a couple of low-key guesses on what the afterlife might have in store (muted but optimistic compared to Revival) and a confessional tale about telling the wrong story to a hitchhiker. N., related to but not as devastating as the aforementioned Revival, combines Lovecraft and Machen with a fantastic (and possibly dangerously contagious) evocation of OCD. Atmospheric to say the least.

The Cat from Hell is apparently a golden oldie, finally collected. A trifle, but captivating while it lasts.

Ayana recounts a tale long untold, because it is ’unbelievable’, and its opening description alone of seeing a once vital father diminished by illness makes it memorable. It’s about miracles or, as doctors call them, ‘misdiagnosis’. It’s a short story in length as well as in how it foregoes explanation in favour of mystifying ‘anecdote’.

The last story is set in Florida, like the contemporary Duma Key, and also sports a well-off but troubled protagonist. It turns out to be a sibling of sorts to The Gingerbread Girl, but more disgusting. But engaging. But very disgusting …

Through all if it, King’s ear for dialogue and eye for detail brings the characters and settings to life. Bitter people, happy people, highways and highrises. Even if King didn’t have any stories to tell here, the writing would make it worthwhile. But he does. With the possible exception of Stationary bike.

In true King fashion, the collection ends with some enlightening, personal notes on the origin and meaning of the stories. His generosity in inviting the readers into the creative process has always been part of his appeal.

Everything’s Eventual (2002)

As with almost all of King’s later work, obvious ties to the Dark Tower can be found here, but the short stories collected here also remind me of “Night Shift” in their often simple greatness. This is uncomplicated storytelling by a master craftsman, ranging from the darkly comical to the melancholy.

Nightmares and dreamscapes (1993)

The third collection of short stories is, perhaps, the weakest. These tales are often from the numerous horror collections that King has contributed to, and though entertaining and well written they rarely approach the brillance of Sceleton Crew and Night Shift. Personally, I would recommend mainly The Ten o’clock People, My Pretty Pony and It Grows on You.

Four Past Midnight (1990)

Four more novellas, collected in one volume. These are generally longer than the ones in Different Seasons, and closer to horror. The Langoliers is an absorbing tale in the Twilight Zone vein. Secret Window, Secret Garden is another look at writing, focusing on plagiarism. The Library Policeman is a small gem, very King and very good. The Sun Dog is probably the weakest of the bunch, leaving no greater impression.

Sceleton Crew (1985)

“Do you love?”

More short stories, very varied in theme and length. From the epic novella The Mist to the short poem Paranoid: a chant, it spans every aspect of human emotion, focusing, of course, on fear. My favourites include Nona, The Raft and Survivor Type, and the non-horror The Ballad of the Flexible Bullet.

Different Seasons (1982)

“Are there many more rooms upstairs?”

Novellas. What are those? Well, according to the afterword they’re stories of 25000 to 35000 words. These do not snugly fit into any category, and are difficult to publish, being neither short stories nor novels. So they collected four works into one volume, that shows a side of King that not everybody is aware of. Although there are elements of horror these are more “normal” stories, staying pretty much in the world of established fact. What makes them King are, of course, the sheer quality of the stories, their ability to grab the reader’s attention and keep it till the final sentence. Some very good films have come from these tales.

One of my favourite places in King’s world, the club at 249B EastThirty-fifth Street, is introduced here. Here, stories will always be told, and it is the tale that matters, “not he who tells it”.

Night Shift (1978)

“I came to you because I want to tell my story” (The Boogeyman)

The first collection of King short stories, previously published in magazines of very varied style and quality. Here are some genuine classics, such as Quitters Inc, Children of the Corn, The Boogeyman and Strawberry Spring. And let’s not forget one of his most beautiful stories, The Last Rung on the Ladder, which is very far from horror. Several of the stories here have been turned into bad films.

The forewords by King and John D. MacDonald are both wonderful.

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